Sep 18, 2014

Reading response on Esmeralda’s When I was Puerto Rican: A Memoir

1.       Discuss the impact of genre and perspective on the narrative
Like Jane Austins novel, Persuasion, where in the narrative we have a bildungsroman of a young woman who grows up, Negi similarly grows up as evidenced by her physical changes that are subtly interwoven into the plot.  A sense of time is created by the narrators mother, Mami, having babies one after the other.  Her perspective becomes more sophisticated as she is permitted by her parents to learn newer things, and some things she learns on her own.  From her perspective, Negi is very negatively affected emotionally by her parents' fighting up until the very end of the section assigned for Tuesday.  She at times before, though, has learned to tune the conflicts out in order to feel emotionally stable.  In the book, there's a motif of a subgenre of music (Latin American) called boleros.  This offers a different perspective in terms of musical taste. 
2.    What are the essential things that readers need to know to understand the difficult relationship that Negi has with her mother?  Is part of this due to the times that she is born into (1940s-60s)?
There are several scenes in the narrative that are essential to understanding the conflicts that occur between her mother and herself.  Many of the conflicts occur because of her mother's constant concern for Negi's father, Papi, who leaves mysteriously and then returns, sometimes, days later.  Negi's father has a strong love for his daughter that her mother envies, and she doesn't think her daughter comprehends or understands the things that are occurring due to the complexity of gender inequality in Puerto Rico at the time.  In Puerto Rico, as poor Jibaras, the accepted more for what a man does is to find a prostitute somewhere, which would have been in Jurutungo (Santiago, page 49).  Perhaps men are expected to come home to their wives more so now than in the past, but I think that this is still prevalent in hispanic and Latin American culture.
3.    How does food relate to identity (local/national), to gender, to socio-economic status, to life in general?
     Many Latin American cultures, but specifically Puerto Rico's, have a unique heritage and culture, just like European, Asian, African cultures do.  Part of this culture are the foods that that culture has learned to cook and eat--the people are generally well adapted to it, and changing to another set of customs is difficult.  In Santiago's story, food, when related to gender, is not a big issue, because that's not the center of the conflict between the narrator's parents.  Food is, however, a central part to Negi's life who begins to assimilate and understand that her culture's food is not the only food in the world.  When the American arrives and teaches the audience the food pyramid and shows them what amazing foods Americans have, as if Americans are healthier, Negi begins to ponder the cultural wealth of American culture in a positive light, though her parents think this is not necessarily true; her parents are more critical-minded, due to their years of experience and wisdom.  The fact that they were poor to begin with, food is not an issue for them because of the cheapness of rice and beans, and so they do not starve.  Whereas, in the USA, a country that has an obesity epidemic, some people have too much food that they literally do not know what else to do with it except eat it.
4.  Select two of my favorite metaphors and provide an interpretation.
Santiago imagines a bus being a steamboat, which is enigmatic of the fact that she's young and she's trying to express the world in terms of what she already knows, since clearly a bus cannot chug but a steamboat can (Santiago, page 37).  Furthermore, a bathroom where people go to use the toilet or take showers and take baths typically, is used to describe a wholly different kind of structure, the playground, on the same page.  A playground would be a wooden structure, or metal, where kids hang on and go down slides or pretend to be monkeys.  This however, is highly unlike a bathroom, and so I thought of it more as a conceit than a regular metaphor, which is why I liked it.